I felt like I was pounding away like a carpenter, just nailing away to get it in the groove." Eno removed the bass note from the first beat of the bar, as he felt it was too "obvious", and rerecorded the part. She wanted to "leave lots of space for the cacophony that surrounded me. According to Eno, "This means the song has a funny balance, with two centers of gravity – their funk groove, and my dubby, reggae-ish understanding of it a bit like the way Fela Kuti songs will have multiple rhythms going on at the same time, warping in and out of each other." Īccording to bassist Tina Weymouth, her husband, drummer Chris Frantz, created the bassline by yelling during a jam, which she mimicked on bass guitar. He encouraged the band members to interpret the beat in different ways, thereby exaggerating different rhythmic elements. Įno interpreted the rhythm differently from the band, with the third beat of the bar as the first. Harrison developed the "bubbly" synthesizer line and added the Hammond organ climax, taken from the Velvet Underground's " What Goes On". Eno developed the chorus melody by singing wordlessly, and the song "fell into place". it became harder to write defined choruses." However, Byrne had faith in the song and felt he could write lyrics to it. According to keyboardist Jerry Harrison, "Because there were so few chord changes, and everything was in a sort of trance. The track was initially not one of Eno's favorites, and the band almost abandoned it. He said the song was a result of the band trying and failing to play funk, inadvertently creating something new instead. Singer David Byrne likened the process to modern looping and sampling, describing the band as "human samplers". The technique was influenced by early hip hop and the Afrobeat music of artists such as Fela Kuti, which Eno had introduced to the band. Songwriter Robert Palmer joined the jam on guitar and percussion. Like other songs on Remain in Light, Talking Heads and producer Brian Eno developed "Once in a Lifetime" by recording jams, isolating the best parts, and learning to play them repetitively. The music video has been named among the greatest by several publications. The Rock and Roll Hall of Fame lists it as one of the " 500 Songs that Shaped Rock and Roll", and Rolling Stone ranked it at number 28 on its 2021 list of " The 500 Greatest Songs of All Time". NPR named "Once in a Lifetime" one of the 100 most important American musical works of the 20th century. A live version, taken from the 1984 concert film Stop Making Sense, charted in 1986 on the Billboard Hot 100. "Once in a Lifetime" was certified gold in the UK in 2021. The music video, directed by Byrne and Toni Basil, has Byrne dancing erratically over footage of religious rituals. David Byrne's vocals were inspired by preachers delivering sermons, with lyrics addressing existential crisis and the unconscious. It was released in January 1981 as the lead single from Talking Heads' fourth studio album, Remain in Light (1980), through Sire Records.Įno and Talking Heads developed "Once in a Lifetime" through extensive jams, inspired by Afrobeat musicians such as Fela Kuti. " Once in a Lifetime" is a song by the American new wave band Talking Heads, produced and cowritten by Brian Eno.
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